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The owner of two sketchbooks found in a shed in France ask Fiona Bruce and Philip Mould to help prove they are the work of a young Toulouse Lautrec.

Philip Mould, Fiona Bruce and the team are on the trail of two pictures brought to their attention by viewers, both believed to be by Paul Gauguin - one of the giants of 19th-century art. (Final)

Fake or Fortune? returns for a sixth series as art detectives Philip Mould & Fiona Bruce investigate more thrilling cases of art world mystery. In this episode they take on one of the most important cases they've ever faced.

Fiona Bruce and the team come down under for their first Australian investigation. Can they prove an online purchase from an English auction site is a lost work by Tom Roberts, considered one of Australia's greatest artists.

Alice Thoday inherited a rare watercolour from her mother. If a genuine Auguste Rodin, it could be worth over 100,000 - but the trouble is, Rodin is one of the world's most faked artists.

The team seek to find out the truth about three mystery portraits, one of which might be an early work by modern artist Willem de Kooning. The hunt for evidence takes them to Berlin, Miami and Belgium. (Final)

Charles Henty has been left with a working farm to run in France and a crippling inheritance tax bill to pay. The only way he can do that is by selling two paintings he owns - if he can prove they're genuine.

A beautiful church in the heart of the Lancastrian countryside has for over 200 years been home to a possible 16th-century Italian Old Master. But it is also at the centre of an unusual mystery. (Final)

This series begins with a seemingly impossible mission - can the team prove that a painting of a man in a black cravat is one of the first pictures ever painted by Lucian Freud, even though Freud himself denied painting it?

The team are on the trail of what could be a long lost masterpiece by French painter Paul Delaroche. Could the picture have been a treasured possession of Marie Amelie, the last Queen of France?

Art detectives Fiona Bruce and Philip Mould investigate three small pictures by one of Britain's best-loved modern artists - LS Lowry.

Nicky Philipps, a portrait artist renowned for her pictures of the royal family, has asked the Fake or Fortune team to investigate a painting believed it to be by celebrated impressionist Pierre Auguste Renoir.

Artist Katy B. Plummer takes us to the Hilma af Klint exhibition where she and co-curators Sue Cramer and Nicholas Chambers explain the Swedish artist's work and influence. We also visit the Incognito Art Show in Sydney.

Rachel meets female artists, sitters and curators, and has her portrait painted for the 2021 prize. Meanwhile, Natalie's still searching for artworks for her show, including a 1980s epic of Molly Meldrum.

The story of how art helped European settlers come to terms with an unfamiliar land, and the emergence of a uniquely Australian impressionist that reflected the distinctive national identity and an independent nation.

Edmund explores how Australian identity evolved in the 20th century and how modern art down under struggled to emerge. He looks at some of the giants of 20th century Australian art - Sidney Nolan, Albert Tucker & Arthur Boyd.

Edmund Capon explores how, since the 1960s, Australia and its art went global. (Final)

A pioneer of indie music, Sarah Blasko walks the line between commercial success and artistic integrity with dignity. Narrated by Sarah herself, this film is an intimate portrait of the artist as she writes her new album.

In part one of this two-part series, comedian Hannah Gadsby takes a close look at one of the most enduring subjects in western art history - the Nude.

Comedian Hannah Gadsby continues her exploration of the nude in art, taking a look at Modern Art as she explores the artists of the twentieth century and beyond. (Final)